Intimate and astonishing.

"Intimate and astonishing. The way a circus should be."

These are the first words on the cover of the program for Circus Flora Marrakesh.

And I would have to agree. This is my sixth Circus Flora; of the six, this one by far outshines the others I have seen. The music was lush, the costuming absolutely stunning. The story line was easy to follow, unlike some of the other Circus Flora plotlines from the past. Tucked in between the opening scene and the conclusatory Flying Pages, were some of the most incredible acts I've ever seen. While much of Circus Flora is the same from year to year (the Flying Wallendas, the Flying Pages, the St. Louis Arches, Cossack Riders, and Katya's Liberty Horse Act), these acts morph from year to year, and in one case, reached new heights in maturity and depth of performance.

There were two performers new to this year's show. One was Alesya Goulevich, who did amazing things with hula hoops, and Andrew Adams and Erika Gilfether who did an aerial act that will be burned into my mind for many years to come. Using rich music and simple costumes, these two shared space on a pair of woven cotton straps, in a dance that outshone anything I could have seen at the ballet. The audience was enthralled and enamored, and many of us had to resist the urge to present these two with a standing ovation at the conclusion of their act. They were simply spectacular.

A third new performing duo, "Pino and Bonzer," pretty much bored me and it's good they came in a lull between the aerial act and the Flying Wallendas. This rather short woman was, I think, supposed to be a clown, although she didn't act or dress the part, and she had one shaggy dog whose only three tricks included stealing Pino's hat, closing the lid to Pino's accordian case, and jumping on Pino's back and riding around the ring with her. I'm not a fan of dog acts to begin with, but when they are this lame they shouldn't be in the ring.

I was disappointed in Nino's much smaller role this year. He appeared in the ring approximately 15 minutes before the show started and provided his usual schtick involving audience members and the loss of his hat. He also performed a bareback act with his sister Tosca in the second half, and had a very short trampoline act in the first half. In general, however, he was hardly in the ring, and when he was, he was almost completely ancillary to the story and the circus acts. It made me sad; he has always been a huge part of what made Flora so much fun for me. Every time he entered the ring, the children screamed "Nino!" over and over again, showing how much he is loved in this community. I hope they will rethink his role next year and give him a bigger part of the meat of the show.

One act that truly deserves mention is the St. Louis Arches. This troupe of children have been training for literally years in acrobatics, and each year they get better and better. This year's group, about 16 strong, did the usual tricks, but with much more maturity and confidence than ever before. There were few bobbles of landings and joint tosses, and plenty of activity without the "aw" factor I'd seen so many years before by them adding the tiniest tumbler to their routine (even though he is not much of a tumbler). So their act was really good.

Sasha and the Cossack riders did not appear in that usual form this year. This year it was simply Sasha, with his horse Mammut. Their performance was breathtaking, as I knew it would be. I'd seen them rehearsing a couple of weeks ago when I was hanging out on the grounds. Mammut is wild and free, and Sasha created an act that combined an aerialist act with two long white scarves strung from the top of the tent, with the speed and wildness of Mammut.

Afterwards, we waited until the tent had mostly cleared before we left, catching up with many of the performers outside. The first was one of the Arches, who I complimented personally on his performance. These kids are used to seeing me at their home base in the City Museum, so I am semi-familiar with them. Second were Anthony and Willie Pages, spectacular in turquoise costumes. I teased Willie about his hair; during rehearsals he didn't want me to take his picture because his hair "was a mess." I couldn't tell the difference. He looked good either way. This year along with his wife, son Anthony and daughter Mercedes (who is about 8 years old) their act was better than ever. Then we talked to Tino and Olinka Wallenda, then Jessica Henthoff, and waited in line to see Nino (Giovanni Zoppe).

I know I sound like I'm gushing or someone paid me to say this. But truly, this was the best performance I've seen to date. I truly enjoyed it, and knowing what I know about the behind-the-scenes work of Circus, I now have a greater respect and understanding of the process that is circus. I will have more to say over the ensuing days, and of course I'll have pictures, too!